and so with the sunshine

Hey, I'm a princess. Excuse me? I'm really fucking great at things and I kind of know how to run this show better than anyone. I'm that chick in the corner who goes all-out and kicks ass intellectually and doesn't flaunt it, but sure as hell doesn't let you forget it if you notice.

Pronouns: she/her/hers

pansexual & panromantic

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However I am also poor so feel free to donate if you're feeling generous. [If you do, let me know and I'll do something for you maybe!]

thanks!

october 31st: SPOOOOOOKKKKKY!!!!!!!!!!! buy candy and scaaaary costumes here!!!
november 1st: JUST HEAR THOSE SLEIGH BELLS JINGLING RING TING TINGLING TOOOOOO
"There’s a reason why the public tends to revel in hacked or stolen nude pictures. It’s because they were taken without consent. Because the women in them (and it’s almost always women who are humiliated this way) did not want those shots to be shared.

If Jennifer Lawrence was to pose naked on the cover of Playboy, for example, I’m sure it would be a best-selling issue. But it wouldn’t have the same scandalous, viral appeal as private images stolen from her phone. Because if she shared nude images consensually, then people wouldn’t get to revel in her humiliation. And that’s really the point, isn’t it? To take a female celebrity down a notch? (We have a term for when this is done to non-celebrity women: “revenge porn.”)"

if you call me princess on a regular basis (bonus points if used as unsarcastically as possible) i will literally be putty in your hands like

yes please


In Avengers Loki only attacked America (Manhattan) and Germany. Both those countries are connected with Hydra. Loki wasn’t actually trying to take over the Earth, his real goal was to destroy Hydra (and get Asgard’s throne in the process of doing so)

In Avengers Loki only attacked America (Manhattan) and Germany. Both those countries are connected with Hydra. Loki wasn’t actually trying to take over the Earth, his real goal was to destroy Hydra (and get Asgard’s throne in the process of doing so)

randompandemonium:

soprie:

actionables:

hmm, yoga is kind of girly #nohomo let’s rename it so it sounds manlier and make it just for the bros for the bros only

WHY DO MEN NEED TO REBRAND EVERYTHING TOUCHED BY WOMEN?
SIT DOWN AND EAT YOUR YOGURT AND SALAD AND DO YOUR YOGA

FOLLOW UP YOUR INTENSE BROGA SESSION WITH SOME BROGURT AND A BRAH-LAD

randompandemonium:

soprie:

actionables:

hmm, yoga is kind of girly #nohomo
let’s rename it so it sounds manlier and make it just for the bros
for the bros only

WHY DO MEN NEED TO REBRAND EVERYTHING TOUCHED BY WOMEN?

SIT DOWN AND EAT YOUR YOGURT AND SALAD AND DO YOUR YOGA

FOLLOW UP YOUR INTENSE BROGA SESSION WITH SOME BROGURT AND A BRAH-LAD

mallelis:

image

Remember how everyone’s favorite part of Heath Ledger’s performance in Brokeback Mountain was his almost painful physical repression, his reluctance to express any emotion that wasn’t punching or SHUTTING DOWN? His voice was closed in on itself in a raspy burr — he fell to the ground rather than shed tears — his face was hooded and dark and full of twitching cheek muscles. Kristen Stewart is Heath Ledger, I assure you. She has the same handsome face, the same winsome, masculine smile, the same reluctance to make direct eye contact.

For years, everyone in the world has misunderstood Kristen Stewart’s compressed emotional range. They thought it meant she was a limited actress; it means nothing of the kind. She is John Wayne being forced to play the Maureen O’Hara character. Give her a rail to lean against during a sunset, a military jacket, a toothpick to chew on, and something to squint her eyes against lazily in the distance, and her guardedness will be transformed from unsuccessful femininity to The Great American Male.

Kristen Stewart is a goddamn cowboy.

sararye:

every 1st september we joke about getting ready for hogwarts to cover up the very real and very very deep scars of never getting our letters

The Relative Color and the Absolute Color

colours-theory:

Since the colors are never what they look like, It’s useful to understand the color in two ways : the RELATIVE color and the ABSOLUTE color.

The Relative color is the color as it is seen, according to the perception of the eye and the translation from the brain to the mind.
The Absolute color is the color as it is, in reality.

This is part of the colors relationship, and the contrast of the colors.

To be able to get the right relative color (meaning without any false notes), it’s crucial to know what its absolute color really is.
image

For example, the absolute color of grey is very often the relative complementary color of its surrounding color.
image

image

Depending of the kind of picture and depending of your color’s intentions (that is off special effect or narrative effect),
using an absolute complementary (that is, for the previous e.g, a true blue) in direct contact to its surrounding colors may easily create
a so much strong contrast that the mind will perceive it as a false note, then causing a global unbalance on all other colors in the image.

E.g, here is the page 05 from “Detectives” vol.02 (Hanna/Sure/Lou, ©Delcourt editions)
image

The “grey” panels 05 and 09 have a cold vibration, almost blue, because they are in a direct relationship within a yellow hot tan.
This two panels, in minority, are also secondary in the narration of the page.


Using a true absolute blue would reverse this narrative order because the color contrast would became so much strong that they would became the primary focal point of the page.
image

Let us look a little closer at the 3rd strip.
The mind read the left panel as cold, in a subtle blue. The shirts are read as white, and the bottles of champagne as greenish…
image

…but by isolating the absolute colors, in comparison with a Titanium white, none of this previously mentioned relatives colors exist in this picture.
image

…And if they were, the balance of the colors would be broken, and the falses notes would be made.
Notice how the eye now read differently the picture, it can’t stop looking at those white shirts and then those bottles.
It almost forget to look at the balloons and the characters. ( i’ll talk about the narration through the contrast of colors later, in another post)
image

It is the same for the values.
A relative value defines itself compared with its surrounding values.
image


image


image

Let’s look back at our 3rd strip.
Watch the contrast between the shirts, and the light jacket in the front, how they seem to be so much lighter in comparison with the other clothes.
image

When in reality, if we compare them to each other, the difference became a lot more subtle than it seemed to be.
image

This is a side effect of the relative color.
The mind analyzes et translates a color based on its database stocked in its memory, trying to identify the color in the most simple and efficient way possible.
image

The shirt itself is light indeed, and white. But it’s simply its “name”. Its “classification”, its “identity” (see the flat step of my quick step by step).
What we’ll ask in a store.

In reality, this shirt is not white, and not much lighter than the light face of the grey jacket or the blue shirt.
But for our mind, white means light. Lighter than everything.
However, a white shirt in shadow is often darker than a back shirt in the light, whatever the mind is saying.

So, compare, isolate, compare, isolate, compare, always.


You can change your “mind database” with some practice.
By using a paper sheet with holes to isolate outside colors. ( grey paper is best)
Or by opening some pictures in a software and use the color-picker to learn what is going on with the color relationship.
Testing yourself to find out the absolute color of your surrounding whenever you can.

Then, colorisation will become much easier, and like a musician able to reproduce a song he heard a the first try,
you’ll develop the Golden eye.

 
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